Tag Archives: Greek

Ancient World Now:Medea the Warrior

Click here for direct link to audio Episode #23.

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Did Medea have a choice? Surely, you say, she could have just killed the princess and done enough damage to Jason’s hopes and dreams. Why, you ask, did she have to go and kill her children to top it all off?

Well, the warrior class from the Golden Age of Heroes would certainly have understood the insult to Medea’s ti’me. Ti’me (pronounced tee-may) was the honor code by which the ruling class lived—and when it was insulted, there was hell to pay! Achilles and Ajax both had their ti’me insulted. The entire Iliad is about Achilles’s honor being insulted: Sing, goddess, of the wrath of Achilles!

Medea’s children would have lived the rest of their lives in danger. Travelling with their cast-off mother to Athens would have made them forever outcasts. Outsiders. Obviously, they couldn’t go back to Colchis after Medea’s dramatic exit with her then-new beau, Jason. If they would have stayed in Corinth with Jason and his new gal, the step-mom’s kids would take precedence over Medea’s kids. That’s always hard. And if you know anything about the ruling families of Imperial Rome, you know that step-children are the first to be bumped off. Their very existence threatens the power of the new wife and her brood. And the power women had over their husbands was all about providing children (READ: male) for them.

Julius Caesar’s wife Calpurnia could not bear him children, so he was played like a card by Cleopatra, who knew her trump card was giving him a son, which she did. How horrible good Calpurnia must have felt, when she heard Cleopatra was going to bear her husband a child! And what about Henry VIII? English children know the outcome of his six wives when they memorize this: Divorced-beheaded-died, Divorced-beheaded-survived. All because the king needed a male heir!

But Medea does the abhorrent because she knows it is the only way to cripple Jason. Sure, if the princess dies, he can always get a new one. But if the princess dies and Jason’s own children die, Jason has to start from Square One. Medea achieves her end. She admits that it will destroy her, too, but she believes she has no choice.

So—what do you think?
Write in to let me know your  thoughts on these great questions
of honor and justice.

And how interesting to compare the
shy, innocent maiden Medea, in the beginning of  Apollonius of Rhodes’ Argonautika,  to the warrior Medea in Euripides’ play The Medea! Check it out!

Ancient World Now:Andromache & Hector

Click here for direct link to audio Episode #21.

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The parting of Hector and Andromache ranks as one of the most touching scenes in literary history, if not the most. In Book 6 of The Iliad, before going on to the battlefield for the last time, Prince Hector says goodbye to his tearful wife, Andromache, and their son Astyanax. When Hector approaches, the baby screams with fear at the sight of the bronze helmet with its horsehair crest. Both mother and father burst into laughter at the sight. The deep tragedy of their situation is cut through with this stroke of humanity.

Homer is not on the side of the Greeks or on the side of the Trojans. Homer is on the side of humanity and wants us to feel the pain of war. Andromache, for thousands of years, has been the epitome of the loving wife. Her sad plea for Hector to remain with them is for naught. He must go out to fight. Though she has lost both parents and all of her brothers to war, Andromache has two more loved ones to lose. Hector, of course, is killed in a mad rage by Achilles, and Astyanax is ripped from his mother’s arms and thrown from the walls of Troy by the Greek soldiers.

The most touching moments in The Iliad bloom up from scenes involving the Trojan royal household. Walk with me through Book 6 & Book 22 of The Iliad to sample the literary techniques Homer uses to take us to the war inside the hearts and minds of the non-soldiers, from the dutiful maidservant to playboy Prince Paris. Have tissues handy!

Ancient World Now:Wolfgang Petersen’s Troy

Click here for direct link to audio Episode #20.

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So many of you have asked me: What do you think of Wolfgang Petersen’s film Troy?

Well, filmmakers always tamper with characters and situations from the original story, and Petersen is no exception. But I ask where,  in Homer’s name, is the real tale of the death of Ajax? And where, indeed, is Laocoon, the great seer, who with his sons was dragged to his watery death by a sea serpent when he tried to tell King Priam that the wooden horse would bring about the end of Troy?

The “greatness” of great story lies in the portrayal of the depth of human character. That a director has 180 minutes in which to show the scope of human triumph and tragedy is unrealistic. One must go to the source of these great stories in order to learn from them.

And how do we as humans display character? By the small things we do each day. In times of peace, it might be something as simple as nodding to the driver who yields their right of way. Or by patiently accepting the customer service routine from eager teen clerks because they are in training. And in times of crisis and war, we might reveal our character by resolving not to look at images of humiliation, or by remaining speechless in a time of sorrow and shame. These minor actions and inactions reveal the complexities of the human mind, heart, and spirit in ways, that in the rush of our lives, we often fail to see. It is precisely the lack of these simple human gestures that keeps modern film epics from attaining greatness. Wolfgang Petersen’s Troy is by its very nature crippled in its attempts. But, hey, using technology to create the image of the “launch of a thousand ships” was pretty cool! And then Brad Pitt as Achilles, well, what can I say?

Listen to this week’s podcast to find out how Petersen’s film differed from the original epic. Enjoy!

Ancient World Now:The Oracle at Delphi

Click here for direct link to audio Episode #19.

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The very mention sends classicists into ecstasy! Reverence. Devotion. And lots of fun! Travelling great distances—getting your fortune told—checking out the Pythia on her little stool—maybe enjoying the Delphic games—even taking a plunge in the Delphic swimming pool!

At the time of Pliny the Elder, there were as many as 3,000 statues on the grounds and scores of specially-built treasuries by individual city-states to hold the vast and assorted offerings (read:TREASURE!!!). But plunder over the centuries reduced Delphi to ruins. In fact, it was said that the mad Roman emperor Nero had 500 bronze statues carried off! Those Romans—you can dress them up, but you can’t take them out! The painting to the right is by the Pre-Raphaelite painter John Collier and depicts the Pythia, in her romanticized younger self. In reality, the Pythia was an older woman of wisdom especially chosen for having led a “blameless life”.

Special thanks to my friend Sydney, for letting me know that there is a beer called Pliny the Elder! Northern California’s Russian River Brewing Company brews it yearlong, while once a year, for a very limited time, they make Pliny the Younger available! The elder Pliny died in the fiery aftermath of the eruption of Mt. Vesuvius. His nephew, the younger Pliny, let us know all the details, as he was a writer. Cool stuff, too! Very readable.

Enjoy today’s episode on the oracle at Delphi!

Ancient World Now: The Mysteries of Dionysus

Click here for direct link to audio Episode #18

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Woo hoo!!! Can’t you just hear Dionysus jamming to his midnight tunes in this depiction on the side of a vase? As the lads in AC/DC stated so elegantly back in the ’80’s: “For those about to rock, we salute you!”

Euripides’ play The Bacchae details some of the outrageous night-time shenanigans and strange rituals of the maenads, the female devotees of Dionysus, the god of wine. This painting by Sir Lawrence Alma-Tadena shows the maidens, all tuckered out after a night of revelry.

Listen to today’s podcast to find out about the myth of Dionysus.

Ancient World Now: Mithraism-Astronomy Behind the Worship

Click here for direct link to audio Episode #16.

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Twinkle, twinkle, little star….. Humans have gazed at the stars since the beginning of time. Have you ever wondered how the concept of the universe has changed over time? Babylonians, ancient Chinese, Greeks, Romans, Aztec cultures all had their own view of the universe. Mithraic iconography abounds in astronomical symbolism.

The Greco-Roman world was a geocentric world and the axis of the earth and the celestial sphere were thought to be stationary. But in 125 B.C., Hipparchus rocked the ancient world when he discovered the precession of the equinoxes.

On the right is a pocket globe from 1772. The inside lining of its hinged case details the constellations, including the latest discoveries of the time, Edmond Halley’s celestial maps of the southern hemisphere. To see this fabulous object “in person”, you have to visit the National Maritime Museum in London, England. And to see the Southern Cross, you have to travel to Antarctica, where my husband worked for many years. Check out David’s blog to get a
taste of “The Ice”!

And check out this week’s audio episode to find out how in tarnation all this relates to the ancient world!

Ancient World Now: The Eleusinian Mysteries

Click here for direct link to audio podcast Episode #14.

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Part II in a five-part series on religions of the ancient world.

This ancient tale is the basis of the Eleusinian Mysteries honoring the grain goddess Demeter and her daughter, Persephone.

One bright spring morning, when the dew was still clinging to the flower petals and the green blades of grass, the lovely Persephone, daughter of Demeter, was making her rounds of the fields. Persephone had a special duty as the daughter of Demeter. It was her job to paint the flowers in the springtime. So, with her paintpot she wandered from blossom to blossom, choosing the colors that were most pleasing to her.

Her mother, Demeter, was busy making things grow, and did not notice that her daughter had wandered away from her side. With great delight, Persephone mixed the colors of the sky with the colors of the grape to get just the right shade of lavender, when suddenly, the Earth ripped open a chasm right at her feet and from the depths charged a great chariot pulled by two black stallions. Driving the chariot was Hades, King of the Underworld, and he snatched Persephone up in his arms and dove back down to the depths of his dark kingdom.

Demeter heard the cries of her beloved daughter, and raced to the sounds of the fading voice. By the time she reached the spot, there was no trace of what had happened there. Demeter cried aloud for her girl, but there was silence. She searched field and forest day and night, carrying a flaming torch to light her way. But Persephone was nowhere to be found.

This famous painting by Dante Gabriel Rossetti of our girl gives a clue to her tale in the red pomegranate she is holding.  Listen to this week’s podcast to find out what happens to Persephone! Enjoy!

Ancient World Now: The Pantheon of Gods & Goddesses

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HAPPY LABOR DAY!

It is important to note that the Roman Empire could not have existed without the free labor of those forced into slavery. The island of Delos was the hotspot for slave auctions. There, you could buy slaves from all over the empire to: keep your books on your farm in the country, take dictation in your consul meetings, tutor your first-born son, protect your house, fix your hair and make-up in the morning, manage your villa in Gaul, raise your children, cook the day’s meal, beat & torture your other slaves when they got out of line, and remain so faithful that he kills himself when you die! Imagine—most of the people in Rome were slaves! The worship of Isis by the Egyptian slaves of Rome became a bone of contention with the imperial government and their most important temple was destroyed a number of times over the centuries. Does slave-labor exist today? Something for our young people to think about. And can low-wages be considered a form of slavery? Aaahhh, the quest for the truth leads you down all kinds of roads! Back to the ancient world!

Today’s podcast is the first in a five-part series on the pre-Christian religions of the ancient world. The Pantheon of Greek & Roman gods and goddesses lead the series with a look at the important devotional practices of the everyday citizen of Athens & Rome. Second in the series addresses the Eleusian mysteries concentrated around the worship of Demeter and Kore (her daughter, Persephone). The third in the series explores the military aspects of Mithraism and its early importance to the ordinary Roman soldier and its later importance to the political elite of Rome. Our fourth episode follows the establishment of Isis worship outside of Egypt, and in Rome and her provinces, in particular. The final episode in the series will feature the Cult of Dionysus and all the wild goings-on of the bacchanalia.

Here is the FTD florist logo discussed in today’s podcast, which features Hermes/Mercury, the messenger god.

And a sad image of the revolting practice of animal slaughter for the pleasure of the Roman masses. “Bread & circuses” sums up how the Roman government provided food and entertainment to keep the Roman people off the streets and pacified. Why revolt when your stomach is full and you’ve had some fun down at the Coliseum?

Ancient World Now: The Aeneid

Click here for direct link to audio Episode #11.

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This stamp depicts the famous Capitoline statue of Romulus and Remus and their wolf-mom. These twin baby boys were sons of Mars, the god of war, and Rhea Silvia.  Rhea’s uncle, for complicated reasons, threw the babies into the Tiber River and imprisoned their mother.

Another version of the legend has Rhea Silvia thrown into the river with her boys and she becomes the wife of the river god. In any case, the boys bob around in the water for a while, get tossed ashore, and are found by a she-wolf. The lady wolf raises the twins until the proverbial shepherd comes along and takes over the task. The boys grow up and start to build their own city, but sibling rivalry rears its ugly head! Romulus has his own ideas about the way things should go, quarrels with Remus and kills him. Romulus names his city Rome.

One version of this foundation myth has Romulus and Remus as sons of Mars and Ilia, who was the daughter of our very own Aeneas and his newly-acquired ladylove, Lavinia. Does anyone besides me prefer Turnus to our Trojan prince?

Here’s Hollywood’s take on the story! Eeekkk! These ancient tales! Divine parentage, abandonment, exposure, feral children!

Today’s podcast is the final installment of The Aeneid. Enjoy!

Ancient World Now:The Aeneid

Click here for direct link to audio Episode #10.

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Queen Dido of Carthage. Dead. Built her own funeral pyre and as the flames whipped around her, plunged a dagger into her heart. So thoroughly had she humiliated herself for love of Aeneas, that she could no longer bear to go on. She cursed Aeneas and all of his descendants as she lay dying. Legend has it that her curse was the seed of hatred between Rome and Carthage that lead to the Punic Wars (264-146 B.C.E). Children in Rome were taught from an early age to hate the powerful north African state and all Roman children knew the Latin phrase “Carthago delenda est” or “Carthage must be destroyed”. When Rome finally did destroy Carthage, Roman soldiers were instructed to sow the land with salt so that nothing could grow there. Carthage was abandoned. Later, however, she was rebuilt and became a glorious and influential Roman colony. Some of the best preserved Roman mosaics and ruins are found in Carthage. And to think it all began with a mighty and righteous queen who had her heart broken by a no-good two-timing transient!

Another amazing story of Carthage might is that of Hannibal (no, not the psychopath) and his war elephants, but you have to listen to the podcast to find out! Enjoy!