Twinkle, twinkle, little star….. Humans have gazed at the stars since the beginning of time. Have you ever wondered how the concept of the universe has changed over time? Babylonians, ancient Chinese, Greeks, Romans, Aztec cultures all had their own view of the universe. Mithraic iconography abounds in astronomical symbolism.
The Greco-Roman world was a geocentric world and the axis of the earth and the celestial sphere were thought to be stationary. But in 125 B.C., Hipparchus rocked the ancient world when he discovered the precession of the equinoxes.
On the right is a pocket globe from 1772. The inside lining of its hinged case details the constellations, including the latest discoveries of the time, Edmond Halley’s celestial maps of the southern hemisphere. To see this fabulous object “in person”, you have to visit the National Maritime Museum in London, England. And to see the Southern Cross, you have to travel to Antarctica, where my husband worked for many years. Check out David’s blog to get a
taste of “The Ice”!
And check out this week’s audio episode to find out how in tarnation all this relates to the ancient world!
Surely you’ve seen the statues. The Tauroctony. This one is from the British Museum. A good-looking guy with longish hair, wearing a short tunic, a flowing cape, and a Phrygian cap. He looks nice enough, but he’s plunging a dagger into the neck of a bull that appears to have been minding his own business! My word! What’s up with that? And then you’ve got this little dog and the scorpion and the crab and the snake all hanging out with the bull. Who can figure that out?
Well, as archaeology is a fairly young discipline, we’ve got some catching up to do. The deets about Mithraism are still being catalogued by our brothers & sisters “in the fieldâ€. To get a sense of the vastness of Mithraic worship, there are at least 190 known Mithraea around the Roman world and a mere 1/10th of them have been excavated. Fifteen Mithraea have been located beneath Catholic churches in Rome.
But there’s a lot that we may never know or understand, no matter how long or hard archaeologists work. A true “mystery religionâ€, believers were bound to secrecy on pain of death, so no written evidence exists at this time to describe their rituals and practices. One Mithraic practice we are certain of is that on occasion a real bull was slaughtered above the vaulted underground temple site and the blood of the animal showered down over a select individual. Egads! Let me outta here! Â
We also know that it was primarily a religion of the Roman military. Over the centuries, Mithraism worked its way up from the lower classes into the Roman elite. Mithraism took hold in Imperial Rome around the 2nd century CE after the Emperor Commodus was initiated into its mysteries. Freed slaves achieved wealth and status, and veterans of the military retired to Rome itself or some province of the empire and lived out their days practicing their religion. Ultimately, pagan religions were outlawed by Theodosius at the end of the 5th century and Mithraism died out.
Enjoy today’s episode. Next week I detail some of the recent theories on the astronomy behind Mithraism.
Homework for this week: read an encyclopedic entry for astronomy to get the basic concepts down before next week’s episode.
Once again, I’ll be doing a workshop for kids at this year’s Litquake. Kidquake & Teenquake are held at the San Francisco
Public Library’s Main branch at the Civic Center. Here are the deets for my Teenquake event:
THEATRE TERMINATE
Has Shakespeare gone mad? Everybody dies in a tragedy, so join the mayhem in this death scenes workshop.
Check it all out with Gwen Minor at www.gwenminor.com
Here is a challenge for those of you who have done Shakespeare with me. Match each Shakespeare character with his or her final words.
Desdemona “As sweet as balm, as soft as air, as gentle,—O Antony! —Nay, I will take thee too. What should I stay—“ Julius Caesar “O happy dagger! This is thy sheath; there rust, and let me die.” Romeo “Farewell: commend me to my kind lord: O, farewell!” Cleopatra “The rest is silence.” Juliet “Mine & my father’s death come not upon thee, nor thine on me!” Hamlet “Here’s to my love! O true apothecary! Thy drugs are quick. Thus with a kiss I die.” Laertes “Et tu, Brute! Then fall, Caesar.”
Part II in a five-part series on religions of the ancient world.
This ancient tale is the basis of the Eleusinian Mysteries honoring the grain goddess Demeter and her daughter, Persephone.
One bright spring morning, when the dew was still clinging to the flower petals and the green blades of grass, the lovely Persephone, daughter of Demeter, was making her rounds of the fields. Persephone had a special duty as the daughter of Demeter. It was her job to paint the flowers in the springtime. So, with her paintpot she wandered from blossom to blossom, choosing the colors that were most pleasing to her.
Her mother, Demeter, was busy making things grow, and did not notice that her daughter had wandered away from her side. With great delight, Persephone mixed the colors of the sky with the colors of the grape to get just the right shade of lavender, when suddenly, the Earth ripped open a chasm right at her feet and from the depths charged a great chariot pulled by two black stallions. Driving the chariot was Hades, King of the Underworld, and he snatched Persephone up in his arms and dove back down to the depths of his dark kingdom.
Demeter heard the cries of her beloved daughter, and raced to the sounds of the fading voice. By the time she reached the spot, there was no trace of what had happened there. Demeter cried aloud for her girl, but there was silence. She searched field and forest day and night, carrying a flaming torch to light her way. But Persephone was nowhere to be found.
This famous painting by Dante Gabriel Rossetti of our girl gives a clue to her tale in the red pomegranate she is holding.  Listen to this week’s podcast to find out what happens to Persephone! Enjoy!
It is important to note that the Roman Empire could not have existed without the free labor of those forced into slavery. The island of Delos was the hotspot for slave auctions. There, you could buy slaves from all over the empire to: keep your books on your farm in the country, take dictation in your consul meetings, tutor your first-born son, protect your house, fix your hair and make-up in the morning, manage your villa in Gaul, raise your children, cook the day’s meal, beat & torture your other slaves when they got out of line, and remain so faithful that he kills himself when you die! Imagine—most of the people in Rome were slaves! The worship of Isis by the Egyptian slaves of Rome became a bone of contention with the imperial government and their most important temple was destroyed a number of times over the centuries. Does slave-labor exist today? Something for our young people to think about. And can low-wages be considered a form of slavery? Aaahhh, the quest for the truth leads you down all kinds of roads! Back to the ancient world!
Today’s podcast is the first in a five-part series on the pre-Christian religions of the ancient world. The Pantheon of Greek & Roman gods and goddesses lead the series with a look at the important devotional practices of the everyday citizen of Athens & Rome. Second in the series addresses the Eleusian mysteries concentrated around the worship of Demeter and Kore (her daughter, Persephone). The third in the series explores the military aspects of Mithraism and its early importance to the ordinary Roman soldier and its later importance to the political elite of Rome. Our fourth episode follows the establishment of Isis worship outside of Egypt, and in Rome and her provinces, in particular. The final episode in the series will feature the Cult of Dionysus and all the wild goings-on of the bacchanalia.
Here is the FTD florist logo discussed in today’s podcast, which features Hermes/Mercury, the messenger god.
And a sad image of the revolting practice of animal slaughter for the pleasure of the Roman masses. “Bread & circuses†sums up how the Roman government provided food and entertainment to keep the Roman people off the streets and pacified. Why revolt when your stomach is full and you’ve had some fun down at the Coliseum?
Now that I have told you the three most important tales of the ancient world, The Iliad, The Odyssey, and The Aeneid, we can turn our attention to going deeper into the characters and familiarizing ourselves with the cycle of stories surrounding each epic.
Ever since I was a little girl, I had the distinct feeling that Odysseus was really a scoundrel. In all the stories I knew, he was dishonest. He lied, he stole, and he got away with things. That was how I saw it. It just wasn’t fair. It didn’t matter to me that he triumphed over divine obstacles, was revered by his fellow soldiers, or that his wife Penelope thought he was worth waiting for (although I did so love the story of the bed he carved from the olive tree). What mattered to me was his truthfulness. Are there degrees of honesty? Or is honesty like pregnancy, you either are or you are not? Consider these questions and ask someone else what they think. Let’s create a dialogue of issues of great import—we seem to have less and less of that in our daily lives these days! To me, honor and truth were all. If I worked hard and told the truth, why should a man like Odysseus, who lies, runs and hides, and looks out for his own best interests to the peril of others, be held in high regard. Indeed, he is called “hero”. In today’s podcast, I delve deeper into the character of Odysseus, trying to get at the qualities others admire, while honoring my own personal biases against him.
In fact, one of the many benefits of the process of writing is that it brings clarity of thought. After much meditation, and revision after revision, I have come to an understanding with myself on the matter of Odysseus. I had to address the question as to why truth and honesty matter so much to me. I find it impossible to lie. To me, there are no little lies, and telling an untruth about something insignificant is as despicable as telling an untruth about something significant. Why does it matter so much to me, when people all around lie in their everyday lives and see no harm in it? Some of my very biases against Odysseus have to do with my own personal life struggles. The mark of good literature raises good questions, and this question, like all things worthwhile, made me face myself and who I am. For this new insight into my understanding of myself, I thank Homer and his wily hero, Odysseus, and hope you, too, find wisdom through these ancient tales.
I would be very interested in hearing what comes out of your discussions. Please leave a comment or write to me at the website by clicking on the “Contact” button above. I’ll post your comments in all their various hues. Oh yes, and be sure your little talk about honesty doesn’t “come to blows”, as there are many ways of seeing it! Have fun and see you next week!
This stamp depicts the famous Capitoline statue of Romulus and Remus and their wolf-mom. These twin baby boys were sons of Mars, the god of war, and Rhea Silvia. Â Rhea’s uncle, for complicated reasons, threw the babies into the Tiber River and imprisoned their mother.
Another version of the legend has Rhea Silvia thrown into the river with her boys and she becomes the wife of the river god. In any case, the boys bob around in the water for a while, get tossed ashore, and are found by a she-wolf. The lady wolf raises the twins until the proverbial shepherd comes along and takes over the task. The boys grow up and start to build their own city, but sibling rivalry rears its ugly head! Romulus has his own ideas about the way things should go, quarrels with Remus and kills him. Romulus names his city Rome.
One version of this foundation myth has Romulus and Remus as sons of Mars and Ilia, who was the daughter of our very own Aeneas and his newly-acquired ladylove, Lavinia. Does anyone besides me prefer Turnus to our Trojan prince?
Here’s Hollywood’s take on the story! Eeekkk! These ancient tales! Divine parentage, abandonment, exposure, feral children!
Today’s podcast is the final installment of The Aeneid. Enjoy!
Queen Dido of Carthage. Dead. Built her own funeral pyre and as the flames whipped around her, plunged a dagger into her heart. So thoroughly had she humiliated herself for love of Aeneas, that she could no longer bear to go on. She cursed Aeneas and all of his descendants as she lay dying. Legend has it that her curse was the seed of hatred between Rome and Carthage that lead to the Punic Wars (264-146 B.C.E). Children in Rome were taught from an early age to hate the powerful north African state and all Roman children knew the Latin phrase “Carthago delenda est” or “Carthage must be destroyed”. When Rome finally did destroy Carthage, Roman soldiers were instructed to sow the land with salt so that nothing could grow there. Carthage was abandoned. Later, however, she was rebuilt and became a glorious and influential Roman colony. Some of the best preserved Roman mosaics and ruins are found in Carthage. And to think it all began with a mighty and righteous queen who had her heart broken by a no-good two-timing transient!
Another amazing story of Carthage might is that of Hannibal (no, not the psychopath) and his war elephants, but you have to listen to the podcast to find out! Enjoy!
Today we begin The Aeneid byVirgil, who actually wrote it at the request of Augustus Caesar to link the citizens of Rome to the heroes of yore.  Enjoy the first of three installments of the epic, The Aeneid. Next week, you’ll learn all about this famous tale and why Queen Dido of Carthage is one of my favorite female warrior queens of all-time!
Spent 5 days in L.A. at the Society of Children’s Book Writers and Illustrators (SCBWI) convention, and can honestly say it was the most magical five days of my writing career. I met so many wonderful career writers it was amazing. I went to 8 workshops given by authors such as Jon Scieszka (of Stinky Cheese Man fame), M.T. Anderson, Gordon Korman, and Gennifer Choldenko (Al Capone Does My Shirts). I went to a booksigning with 44 kidlit authors. I attended a show for children’s book illustrators. I heard 13 keynote addresses. I listened with great interest to 4 panel discussions by industry insiders.
Gwen Minor with Author Paul Fleischman 2010
Seven years ago or so, I read aloud to my classes Paul Fleischman’s 1996 book Dateline: Troy. This remarkable book narrates scenes from The Iliad while including newspaper clippings of modern events that mirror the issues addressed in that most famous epic. If you’ve ever read aloud to anyone, you know how exhausting it can be. Multiply that by three classes for a week and a half and you see what I went through. I desperately wanted my students to know the story of the Trojan War, and they loved the story and Paul’s book, but it took so long to read it out loud! As I looked around at their tired faces, I knew I had to find a better way. So, that summer, I broke my leg roller-skating, and while I was laid up in bed for 3 weeks after surgery, I wrote a 40-minute play of The Iliad so that my students could act it out. I modeled it on some Shakespeare adaptations I had used from an old Scholastic book. Back to school that fall, I knew I had a hit on my hands as the kids showed their enthusiasm for all things Homeric and we started to collect plastic swords, shields, and helmets for the productions! If you look in my book, Read Aloud Plays: The Iliad, The Odyssey, and The Aeneid, I dedicated the book to that first class who made my work come alive onstage and make a special note of thanks to the first boy who played my Achilles. I took my copy of Paul Fleischman’s book Dateline: Troy to L.A. with me this past weekend and had him sign it. I told him how his book inspired my book because I had to get the kids involved in the story. He was amazed to see his book and told me no publisher would take it and that he was rejected over and over again. He said the only reason he got it published was because he sent it to Candlewick Press, a new kid on the block in the publishing world, and they were willing to take a chance on it. I gave him a copy of my book and signed it with gratitude. You undoubtedly know Paul’s father—the famous children’s book author Sid Fleischman. Here is a treasured photograph of me with Paul. Thanks to Peter Linenthal for being there with his camera!
Special thanks to Mac McCool, graphic novelist extraordinaire for giving me a copy of Herakles, the graphic novel made by his college students. Mac has published a bunch of kids’s books and he teaches illustration and sequential art at a university in California. I am sending him a copy of my book in return for his generous gift.
I met so many amazing people. I’ve never been to a professional gathering that was so supportive. I met the children’s author June Sengpiehl and her husband Paul Sengpiehl. Over lunch one afternoon, Paul recounted his years learning Latin in high school with his Latin teacher Lois Fischer, who taught her students this mnemonic for remembering the stages of Roman history: K-R-E-2-5-4. That is: Rome was a kingdom for 200 years, a republic for 500 years, and an empire for 400 years! How exciting! Thank you to Paul for sharing that memory device. I will certainly pass it on to my students and our 6th grade ancient history teacher.
And the best part about the whole weekend, I let go of a project that had hit some serious walls and was keeping me from moving on to the many other exciting writing projects I am working on. This is a good life lesson: sometimes it is better to give a thing up than to hold on and get dragged down with it. Several years ago, my good friend Peter Linenthal asked me to write a children’s book for him and he would do the illustrations. We worked very hard over a long, long time, but publishers and agents prefer to choose their own collaborators. They typically pair a lesser-known illustrator with a better-known writer or vis versa, in the hopes of giving as much support as possible to the project. I hope Peter finds a home for Jaya in the coming months so that he can get to work on the final art work. And thank you, Peter, for the gift of that amazing convention!
Narrowly averted a serious computer issue this morning. Fortunately, my amazing husband knows all the tricks and promptly set it right.
This episode is a wee-bit early, as I am off to the Society of Children’s Book Writers and Illustrators national convention. I am going with Peter Linenthal, who illustrated our storybook  The Golden Necklace: A Silk Road Tale. Check out his work by clicking on the “Ready-to-go-to-Press” tab at the top of this page. He does wonderful work and is one of the finest human beings I know. Fingers crossed that we locate a publisher this weekend for our beautiful book that needs a “home” (the topic of today’s podcast)!
So…last week we met up with some sirens. Just to give you some idea of how their kind have been interpreted throughout the ages, I’ve included several cool pics. Here you see an ancient vase with flying bird-like creatures holding musical instruments. Great design! See the way Odysseus is tacked up to the mast.
Now take a look at these 19th century visions of sirens. Of course, they are wind-blown and fish-tailed and seem a whole lot more interested in the guys on the boat! Those artsy British men-of-leisure had an awful lot of time on their hands….
Today is the Homecoming of Odysseus. Oh, did I ruin the story for you? He does make it home, incredible as it may
seem, and puts a serious damper on the efforts of the suitors! Check out N.C. Wyeth’s painting below for proof. Enjoy!
Next week: The Aeneid, the story of Prince Aeneas’s back-door escape from the burning flames of Troy! Virgil wrote the epic at the request of Augustus Caesar to link the history of the people of Italy with the legendary heroes of old! Talk about revisionist history!
